after one year of hiatus ritual process is back with a brand new opus. côme the other half of the label first appeared in 2011, thriving on the musical radicalism and avantgarde of the electronic and industrial scenes of the 80/90’s. kerri lebon, the owner of discipline is actively involved in the san francisco s musical scene. she has mixed the -issue no five- cd for jealous god and recently produced a remix on los angeles based label stellar remnant. our third ep -years of decline- opens with -between generation-, an epic trippy track followed by the punchy noisy -expel the demon-. the b side will take you to a shadowy world with the original version of -fear- followed by kerri lebon’s astonishing remix. the record will come with an insert and will be limited to 300 copies.

12inch whitelabel, limited to 300 hand stamped and numbered copies, coverartwork by utramoodem. schockglatze is the distillate of a longstanding collaboration between artists working across the frontiers of several forms. with audio- visual performances, band projects and international exhibitions as part of their armoury, spõnk, nik nowak and moritz stumm have been causing a stir within the art and music worlds for years. spõnk has already cooperated with a range of acclaimed vocalists including warrior queen, sensational and christoph waltz. he forms the solid basis and is the sonic central nervous system (scns) for the studio productions of schockglatze. nik nowak, most notably through his sound tank or ôpanzerö (2011), has in recent years worked closely with musicians such as (the late) dj rashad and dj spinn, and sonic poly-math the bug. last but not least moritz stumm aka ultramoodem, who brings to schockglatze an inimitable rhythmicity and graphic dimension. as a graphic artist, vj and video director he created a singular technique of synergetic audio-visual effects redolent of a hyper-voodooism, the aesthetic of which has become a signature style of schockglatze. the warlord ep showcases their various influences and is only a taste of the sound from éheart of the mandelbulbÆ and includes a remix by hyperdubÆs ikonika

south london ordnance debuts on parachute. the british producer marks his first release of 2017 with parallel window, a four track ep featuring three wrought-iron originals and remix from token & blueprint affiliate, sigha. driven and direct, the music marries rolling low end with high energy drum machine percussion and wide angle highs - for the most part eschewing anxious, heads-down austerity in favour of a more uplifting, trancelike approach - spread across multiple bpms. despite the heady, crushed finish - shifts in tone are subtle, developing over prolonged periods, with careful modulation drawing sounds in and out of the sonic hinterland sporadically to create a comfortable atmospheric balance between peak-time dance-floor urgency and hazy mid-set moments. on his remix, sigha hones in on this sentiment - lifting the caustic lead bassline from parallel window and augmenting it with trademark cavernous low end, skittering highs & a rolling lead arp to create a hypnotic, half-time dirge.

for the 13th edition of code is law, dark stars rising, we have a double ep collaboration between the labelÆs newcomer wyad and chief moerbeck. focused on shamanic black magic vibes, this release is filled with a lot of mysterious synths, ecstatic melodies and groovy beats. this will be the perfect selection for the upcoming summer festivals.

the second ep of kapucci is a crispy, genius breaktune that goes from house to electro and everything in-between. followed by a characteristic rmx of phil evans, fits perfect for your night.

as we move forward, corseque records introduces a concept which we simply call faction. a series of joint releases between artists from different corners of our beloved scene and label head ascorbite. first in line to cover the a side is parisian producer hemka (float records/decoy records/green fetish records).

french imprint rave or die inaugurates its first compilation release since its inception back in. featuring four uncompromising anthems from heavyweight producers the mover, the hacker, minimum syndicat and the label owner umwelt, in this collectible 2x10inch breaks the boundaries between 90 s rave and doom styles sets and offers an explosive limited edition. bangers and dj tools for connoisseurs only!

1970’s experimental & electronic music recorded in soviet russia by yuri morozov. banned by the kgb for its esoteric content and references to forbidden spiritual texts, yuri recorded over 46 albums between the 1970s until his death in 2006. only available on cassettes passed around in secret within the russian music underground until now.

hannah holland s batty bass imprint returns with the vinyl release of mama s sublime, atmospheric unmask me, sits somewhere between dub and house. the 16 min original twists and intertwines with rippling bass and powerful vocals. a concoction mama s uk upbringing and dark berlin sensibilities have shaped. legendary house pioneer, ashley beedle offers a glistening, summer, deep house beauty. stunning rhodes sit on top of shuffling percussion alongside mama s message.

re-release on clear vinyl at a nice price ! superb varied techno release printed old skool warp style jacket 5 tracks by us producer d marc cantu between house (jack style), techno and acid. floorfillers guaranteed !!

tale & tone channels lee and hoj’s experiences exploring the world’s most sought after party destinations from the magic of hazy sunrises to the dim warehouses of underground’s past. the label acts as a bridge between the diverse environments in which dance music thrives and a showcase of the unique stories told by its sounds and devotées. the storybook ep will chart the tale & tone journey starting with a full vinyl release on july 21 and digital singles to follow. the ep begins with the mystic groove of daso and lutz’s better followed by the caribbean inspired ethereal soundscapes of cornucopia’s letter for poly. all day i dream mainstay lost desert has aligned with amari for the intricately layered, vocal driver hunter, while the revelatory soul of dance spirits wash me clean calls out to the calmer side of the electronic spectrum. the release is capped off with the late night affair of newman’s the sky and earth and in hoj’s own words on tale & tone, -lee and i are great friends and have been talking about starting a new project together for a long time

limited triple coloured vinyl pressing. do not sleep. brand new label from copenhagen exploring the universe of chord/dubtechno run by the host of the legendary tweakfm show, johnny fredsgaard aka kvadrant. first release contains four solid dub influenced tracks made by ohm and the label owner himself. ohm needs no introduction as he is a well established icelandic artist and a part of the label family around the thule label. over the years he has teamed up with artists such as exos and octal industries with whom he already released two eps in 2017 on rawax and taped artifact. ejer is made for the dancefloor with its heavy rhythm, characteristic roland space echo delayed chords and a stunning break which will make the floor burn as soon as the bass kicks in. laki is a fast paced track with repetitive chords and heavy kick. octal industries takes laki to a deeper level and delivers a stand out groovy remix of the track and adds a bit of a melodic flow to it. yding is a groovy crossover track which fits well in the world between techno and house. watch out for the phat funky bassline.

after only 3 short years, my second album o u r w a l l s is out. it comes clad in vinyl, polycarbonate, bits and bytes and i’m very happy and relieved to finally let go of this one. the cores of its 10/11 (cd/2lp) tracks were developed on a loop pedal at home. lyrics spun here and there. almost all of them are trying to extract levels of meaning from an everchanging knot of emotions. they take their time - ranging between t h r e e m i n u t e s f o u r t y to t h i r t e e n m i n u t e s f i f t y s e v e n - to clinically isolate, examine and name the elementary building blocks constituting the knot. o u r w a l l s is about the ups and downs of your everyday-mercilessly-hopeless love relationship, about staying mild when things get rough, fabulous metaphors, childish selfdefence mechanisms, the burning space in b e t w e e n words and o u r very personal w a l l s that have so far always kept us safe..

alemayehu eshete is considered the golden voice of ethopia. since his first hit single seul in 1961 he has become the father figure of the soulful stream of ethopian music. in ethiopia no other musician adapted the newest trends from the us soul scene as consequently as alemayehu did. with this new 7- he continues his soulful approach on ethopian music. his funky classic alteleyeshegnem is here re-interpretated by the philophon house band in an even funkier way than the original. a tough beat is crisscrossed by mystic harmonies and a pumping bassline. temar ledje points out the sweet side of master alemayehu. this is another classic tune that comes dosed with a rejuvenating cure by the philophon production team. just listen! the cooperation between alemayehu eshete and philophon was initiated by listros e.v. berlin with support by the federal cultural foundation of germany.

vor knapp drei monaten ?berraschte der londoner musiker laucan mit seiner ersten ep -up tomorrow- - einer wundervollen mischung aus folk-psychedelia und sparsam eingesetzter electronica. laurence galpin, so der b?rgerliche name des k?nstlers, erh§lt f?r das album -framespersecond- nun die musikalische unterst?tzung von andrew phillips, der parallel bei dem label nina tune das musikalische projekt grasscut unterh§lt. -framespersecond- kombiniert das verhaltene tempo der songs, mit dem falsett-gesang von laurence und dem cello-spiel von jude tedaldi. zwischen indie-pop und modernem songwriter-folk angesiedelt, empfiehlt sich dieses beachtliche deb?t!

solo album displayig a collection of foggy electronic dub meditations recorded between 2000 and 2005 by berliner ring member alexander christou under his al chem guise. he has previously released for tummy touch and was part of the elecdrones formation on the berlin katzensonne label. further output include theater and radioplay compositions. limited 1st pressing 500 numbered 180gram tip-on sleeve. check!

formed from plastics and particulars by richard chartier, 2015: >i am lonely, yet i feel wonderful< pinkcourtesyphone is a continuing project by los angeles-based sound artist richard chartier. he is considered one of the key figures in the current of reductionist sound art which has been termed both microsound and neo-modernist. chartier s minimalist digital work explores the inter-relationships between the spatial nature of sound, silence, focus, perception and the act of listening itself.

there we go again, luettje luise el numero sixo. the soundtrack for a sunny sunday morning. between the sheets and under the blanket, stroking the belly, feeling lush and lovely. slide in your slippers and slightly sip the first coffee with a warm breeze touching you and your inner self. lokke der boss halt.

hot release from south african producer dj call me. digital, sunlit and soulful house for your heart. perfect to bang a club with love. all tracks were written and produced between 2009 and 2010, in mokopane, south africa.

shelter is a young french producer based in paris, he released edits on mellah, edits du plaisir and edits du golem and production on plaisir partagé, uber and international feel in the same serie that jan schulte or cfcf in just 2 years.he s graphist designer for plaisir partagé. banzawa is the new shelter, a 2 tracks ep focing on balearic and eletronic music, but influenced by italo house and zouk. he composed with roland tr 707 and korg m1. bazawa, the a side, is a journey into a mysterious jungle in a european night club in the 90 s, the kind of underground italian sound with a beautiful ushuaia flute catchy bassline. this is a travel invitation, between trance, house, and new age, a balearic meditation for dancing.the b side is pickolo, a jumping track, where marimba and whistle gives the full cadence of the song, a mix of nice melody and afro rhythm, a jungle by day, cute and animated. for the same price, shelter proposes two different mood, two different vison of house music, two different way for dancing.

“superbacana” marks the return of s-tone inc., an ep that anticipates a new album due to release in autumn 2017. produced by stefano tirone, who co-wrote all the tracks with tomaz di cunto - alias toco - it contains four tracks (one in two different versions) with a funky brazilian flavour, inspired by the black rio sound that represents the encounter between samba and the american soul funk music since the ’70s. an outstanding groovy effort that raises the expectations on what s-tone inc. will produce in the nearby future...

merriware 002 brings two new artists to the label family, sam brickel and louis marlo (felt sense recs.) while also welcoming back lou karsh (lkr). four tracks with influences varying between minimal, techno, dub and experimental.

here at plastique recordings we have pressed up some very limited promos of 2 dance floor cuts of the collaboration between legendary synth outfit soft cell’s dave ball with hifi sean jamming out an electro nyc danceteria style number ultratheque a homage to glasgow’s first ever laser disco day version & night version both exclusive to this vinyl.

hands down proper detroit gear, timeless classic material here, if that s what you re after - look no further! coming on strong way back in 87 on the legendary kms label when we used to play is 4 solid as cuts, stripped back box jams, sleazy vocals and samples and ultra-jacking rhythms! this one s for the heads and is the first of 2 baxter 12-s that mint condition will be presenting to you! trademark deep basslines and sultry atmospheres are what baxter does best and this is one of the first, and best, examples of his unique flavour of house and techno. there have been a few bootlegs of this classic ep floating around for a few years, but this pressing is the real deal, a solid collabo between mint condition and blake baxter. an essential cornerstone of one of the most important musical scenes in dance music indeed - every home should have one!

light on his feet but not afraid to throw a punch when required, robin ordell rustles up three insouciant but meaty groovers for his second discobar release. auguste iii stretches languorously across the a-side, skippy hats cutting through the rolling, bass groove in his now unmistakeable style. lost in misty byways goes for a more sprightly walk in the park, but its nonchalance becomes increasingly threatened by dissonant voices and faulty background circuitry. finally, the sauntering bass on chelbergerho gives momentum to atmospherics that inhabit the border between dark and light harmony, never quite resolving but always pushing forwards into the morning sunshine. for robin ordell and discobar, the summer has definitely begun.

with the seventh vinyl release evod music welcomes kwartz, well-knowed spanish producer who released on label like pole group and mord. the release is splitted with evod, two tracks for side. the two tracks by kwartz are noisy, warm, with turbulent grooves, both tunes are overwhelming, with twists of low frequencies sequences and brilliant noises/rhythmics. evod s tracks are a true compromise between old school and modern sonorities, thanks to the raw/analog warm accompanied by abstract and synthetic sounds.

newly reprinted on vinyl, this collab between jneiro jarel and the elusive mc features remixes from thom yorke, beck, and more. it remains one of the best releases to feature doom’s name this decade.

2012er deluxe lp edition des 1990er debuts auf silbernem vinyl mit neuem artwork! die schwedisch amerikanische arbeitsgemeinschaft von talisman war eine der wenigen bastionen ehrlichen melodic rocks, die es mit großartigen alben auch in den 90er jahren schaffte, die vom grunge und dem kollektiven abgesang der großen musiksender errichteten windmühlen des kontra- hard rock stimmungsbarometers zu bekämpfen. talisman waren herausragend und trotz ihrer großen klasse so unaufdringlich, extravagant und eigenständig. genau deshalb war die von marcel jacob gegründete band seit beginn ihrer tage in der lage ein großes spektrum an musikliebhabern von rock bis metal, von prog bis funk zu begeistern. mit einem ausnahmesänger und songwriter wie jeff scott soto (mit dem er gemeinsam das 85er malmsteen album marching out eingespielt hatte und der fast zeitgleich mit eyes für aufsehen im genre sorgte) in seinen reihen, standen jacob und seinem neuen baby in bereits den späten 80ern alle türen der kreativität offen, und spätestens im jahre 1990, als talisman ihr großartiges debüt mit und um den jahrhunderthit i’ll be waiting veröffentlichten, strahlte die band als einer der hellsten sterne am melodic rock firmament. (darkscene)

myor massiv proudly welcome fx and worldwide epidemic to the family. on the a-side the lord of darkness himself, demonic possession head honcho fx, does what he does best: dropping darkstyle bombs. gritty amens and howling horror pads, juxtaposed with a rather cheeky 80s pop sample. mum s the word. on the flip, worldwide epidemic perfectly threads the thin, imaginary line between jungle techno and hardcore proper on anthropomorphic, a 7 minute 4x4 epos that keeps on building and building, leading up to a synth laden climax of mid 90s squat rave proportions

the broken glass is a work conceived and produced between austria and spain and represents the eleventh reference of the catalogue of stoerung label. in this collaboration field recordings and synthesis processed by asferico create cyclical and hypnotic structures, which mia zabelka furnishes with her violin and voice. the lp version consists of two versions of the piece, the first more minimalist and conceptual and the second more rhythmical and synthesizer based. through a display of distorted and isolated sounds, we are driven in the first version into an deep listening, as if sounds where placed under a microscope or we were contemplating them through a telescope. this approach lets us perceive the bare physicality of sounds in a way which enables us to grasp subtleties and aspects of sound which we are not used to. the second version continues where the first version left us, but in this piece, we are eventually flooded by hypnotic loops, white noise and synthesis and the experience has a different flavor. now what we have acquired through the first version, the enhancement of our listening and appreciation of subtleties of sounds, is inserted into a rhythmical structure which acts as a strong current, pulling us inside an ocean full of astonishing sounds.

what is there to say about the difference ? this is how it should be done - deep, with soul and conveying a message, house music doesn t get any realer, any purer. logic, a collaborative effort between wayne gardiner, roger sanchez, vivian sessoms and eddie maduro unleashed this monolithic slab of music on the world in 1990. truly streets ahead this record helped carve a new sound, a new feeling in dance music. oozing with human emotion and feeling the difference is one of those records that honestly warrants the title of classic . it s b side i got somethin is a slinky, late night groove that recalls smoky, sweaty dance-floors and is all the better for it, this is the real deal for real. yet another solid, essential release from the mighty strictly rhythm vaults, sounding as important, fresh and incredible as it did on it s initial release. house music history brought back into view for lucky ears and feet in 2017. the difference has been skilfully remastered from all original master sources and fully licensed and reissued officially for 2017.

primitive trust is the coming together of two experienced musical minds. in one corner is will saul of the influential aus music empire, and in the other is tom mangan, aka tee mango, the producer who started millionhands record and clothing label. the pair met many moons ago and reconnected recently at a festival in morocco. they bonded over music, lunch and shared family travails - and as they both now live in somerset decided a little local studio collaboration seemed all but essential. between them, these consumate country gentlemen have seen plenty a musical styles come and go, so decided their best route forward would be to make music to please themselves. to that end, they holed themselves up in tee mangos woodshed studio with the following ground rules: they would make music only with the gear they had (mpc 2000, ableton, roland 101, juno, fender rhodes, various fx pedals) they would trust their instincts and go with first feelings they would embrace the joy of randomness if in doubt they would ask what would carl do? with that, you have the simple but effective mo of primitive trust. these sessions have resulted in a series of three eps to be released over the course of four months. each ep will feature 2 or 3 original tracks and one fresh remix, with unique artwork and an illustration by all-around visual auteur geoff mcfetridge. using the building blocks of house, and classic techno primitive trust can do zoned out and romantic, as much as driving and heady, but with an ease that comes from experience, years in the making. while tipping their proverbial hats to the past they also look to the future with their sound, mixing samples, wigged out synthwork and propulsive rhythms to create something honest and heartfelt that will stand the test of time

brs were a uk house outfit who released between 2000-2008 on their own imprint friends & families & on many other labels including 2020 vision, cyclo & imperial dub - the group comprised of rob evans, ben vacara & mr mulatto (the 2x latter now members of the situation collective). lovin me was first released on a brs ep on imperial dub recordings back in 2000. in its original format the 12- included the original mix, dubtribe sound system remix and a bonus track bouncing. situationism are delighted to re-release the incredible full length dubtribe soundsystem remix again on limited vinyl. this remix became a classic, appearing on numerous compilations including groove armada s another late night and ministry of sounds chillout sessions 2004 to name but a few. included on this limited vinyl run will be 2x new remixes from italian deep house, motorbike duo harley & muscle & the also the lovely bittersuite, both delivering quality mixes. all brought to you in time for those long summer evenings!

reissue of elton s third album as part of the initiative to have a greater representation of elton s catalogue on vinyl in the marketplace, to tie in with the celebrations of elton s 70th birthday year and 50 years of the writing partnership between elton john and bernie taupin in 2017. all tracks remastered from the original analogue tapes by bob ludwig at gateway mastering, portland, maine, with vinyl cutting by sean magee at abbey road studios, london. artwork faithfully reproduced from original archive material.

r&s presents a killer ep from romania’s ada kaleh aka iulian cuculea, which follows his stunning alejandro jodorowsky inspired debut lp -dene descris- on his vinyl only imprint ada kaleh românia. like many of the second wave of romanian minimal producers, iulian s music combines propulsive hypnotic rhythms with rich, organic sounds that envelop the listener in an otherworldly atmosphere. -the creation process is a moment of temporary madness for me” iulian explains, -i enjoy working with layers of sounds that intertwine and embrace like a lotus flower. folding and unfolding.” finding fans in the form of countrymen like raresh, petre inspirescu, rhadoo, barac, cezar, priku and internationals like ricardo villalobos, sonja moonear, tini, prins thomas, he’s also dropped critically acclaimed releases and/or remixes for uvar, the rabbit hole, third wave black, supernature as well as his own ada kaleh românia imprint. opener -palatul de cle&#351,,,,,tar- (translated -the glass palace-, received a vinyl only release on his own label in 2014) sets the tone with a mesmeric rhythm track overlaid with a haunting clarinet part and spaced out synth gurgles that combine to enthralling effect. apollo records alumnus laurine frost supplies a trippy, blown out version that blackens the tone of the original into a work of quiet menace. on the flip -devotare- (translated -devotion-, also a vinyl only release on his own label in 2013) strikes a more strident tone, the grooves strut rather than purr - gauzy chord stabs weave between the beats and clunking percussion in a delicate yet complex interplay of elements.

incl vilod version ( vilod = ricardo villalobos & max loderbauer)
key selling points :
javiera gonzález returns with the beat is on, the second release in her ongoing collaboration with tobias freund (tobias./nsi). recorded between santiago de chile and berlin, with vocals (improvised in one take) by javiera gonzalez, and music by tobias freund. on the b-side, ricardo villalobos & max loderbauer deconstruct freund’s arrangement, before reshaping and elongating it to fit their vilodian framework. produced by tobias freund

time for a little neck bulging, slimy skin hip-slinking summer fun as a true craftsman steps from the studio shadows: jay shepheard, who’s back with a track that’s so infectious if you licked its back you’d trip for weeks. prepare yourselves for ‘bullfrogging’: wry funk, warmth and humanised technoid soul. taking a vocal texture then processing, harmonising and splicing the spawn out of it, jay’s precision balance of electronic hustle and anthromorphised action has all the hallmarks for a summer anthem. ‘early doors’ follows suit and there’s a massive clue in the title… soft-focused, warm, rolling and laced with textured chimes, it’s definitely tailored for those key transitions between warm-up and second gear. deep, trippy but coded with a hookiness that grabs rather than soothes, once again it’s classic shepheard but with a revitalised 2017 twist. hey, he didn’t lock himself away in the studio for twelve months for nothing, right? neither did jay’s long-time friend and neighbour mark henning, a man who hasn’t taken on a remix since the early 2010s. his return to the remix game is as poignant and powerful as jay’s return to releases as he removes around 70 percent of the frog and maximises the bullishness of the elements, creating a relentless tribal slammer of a version that still retains the warmth and soul of jay’s original. two returns to action, three killer tracks, one label you can always count on as your friend and no frogs harmed during the whole process. we’re pulling out some serious stops here.

here it is! some brand-new wax for your listening pleasure! the days are becoming longer, summer is just around the corner, and our latest release appears to perfectly embody the spirit of something new, something fresh, and something exciting. indeed, we’ve combined all this into a single 12” featuring the likes of satl & electrosoul system, and invadhertz. the release is all about good mood and chilled vibes, and virtually anything you can tag with the liquid label (if you really need to). but categories aside, our new twelve incher comes with a superb collab between satl & electrosoul system on one side, and with a solid track by the upcoming collective of invadhertz on the flipside. the former, entitled “satless”, is a warm, vocal-infused gentle roller that seems to be best enjoyed in the sunny days to come, while the latter, named “lily”, offers a nice combination of a bit rougher percussion section and booming bassline enriched with even more of vocal inserts. all in all, the whole single is a tasty treat for all those into the lighter side of drum & bass.

this record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. to recover the magic underneath, that has never grown nor subsided and doesn’t belong to anything but itself. a love story between two music labels that found each other in this blissful journey, lossless and something happening somewhere are here to presents the next chapter in their findings. uzoamaka is an original track by king britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. nuno dos santos (sohaso) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. in an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it’s release. the original by king britt is an ode to the ritual of dance music in it’s purest form. with vocals panning across the stereo field that preach ‘sing, dance, be, free to dance’, it resonates with the primordial human playfulness, joy and expression in all of us. teasing with a melodic bassline, almost reaching twelve minutes running time, it’s a modern hymn that never fails to mesmerize and bring people’s spirit together. besides remastering the original, it gave the opportunity to invite other artists to retell the story. this time the mighty dixon gives the original track an update for modern dance floors. pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. “free to… free to… free to…” nuno dos santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. a powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. mathias schober is back under his sb alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. pushing and pulling, enhancing the entrancing effect of the musical soul.

duat (pronounced do-aht) was the realm of the dead in ancient egyptian mythology. the deity osiris was believed to be the lord of the underworld since he personified rebirth and life after death, being the first mummy as depicted in the osiris myth.the underworld was also the residence of various other gods along with osiris. the duat was the region through which the sun god re traveled from west to east each night, and it was where he battled apep, who embodied the primordial chaos which the sun had to defeat in order to rise each morning and bring order back to the earth. it was also the place where people s souls went after death for judgement, though that was not the full extent of the afterlife. burial chambers formed touching-points between the mundane world and the duat, and the akh, the effectiveness of the dead, could use tombs to travel back and forth from the duat. duat (or duatrecords) is a label by amin fallaha and r100

second installment of spanish imprint de profundiis, this time signed by madrid s duo uanamani in which they tell us a musical story about the mysterious underground labyrinth of hawara. a gigantic ancient construction underneath a necropolis in the region of el fayum, egypt. quoted by many chroniclers of antiquity, is believed to be a monument of colossal dimensions, and probably the key that would prove the existence of an unknown precedent civilization with a few vestiges around the area.
the record is focused around 4 subterranean tracks which alternate between intense moments of epic mythology and more ambiental and introspective passages, with sound artifacts found in the various secret chambers and pharaonic tombs. a journey with analogic vs digital rhythms, dreamy pads, minimalistic and ritual details, enigmatic drones, mummified keys and synths submerged in millennial history and archaic poetry. an experience for the intrepid travelers of the past and future times.
hand-stamped white label release.

rekleiner with one of their strongest releases ever !! big support coming from tiefschwarz, ewan pearson, miss joolz, mike monday, umek, satoshi tomie, marc romboy, extrawelt, tom wax, andrew grant, miss kittin, chymera, kiki and many many more. rekleiner is a collaboration between stuart geddes, anthony middleton & luca saporito. luca and anthony are also known as audiofly

2021 repress!!! x-ray records catalogue is as under the radar as it is rich and ahead of its time. releasing between 1992 and 1994, most of the label s outputs were produced by raymond castoldi. although people primarily know castoldi for being the music director and organist in madison square garden, he also has a lesser known chapter of his life. in the early 1990s, raymond released 6 eps on his imprint x-ray records. by coupling his musical education with a four-on-the-floor club pattern, castoldi managed to create a jazzy vibe with spaceous sounds and keyboard jams, all coalescing into a relaxing atmosphere that would eventually become the signature sound of 90 s deep house. in partnership with castoldi, kalahari oyster cult delivers the goods once again: 11 tracks from the x-ray catalogue over a 3lp for your deejaying pleasure.

montréal synth pop police des moeurs are one of the finest and rawest bands in the minimal synth/wave and cold wave scene. dédales , their third full lenght, is keeping the pure energy of their previous efforts while leaving greater room for atmospheric and textural considerations. the album will lead you into the passage zone between civilisation and wilderness, a mysterious place where truth, lies, light and darkness collide. limited edition of 500 copies.

following the ‘frequency vs atkins – mind merge lp’ (march 2017), featuring the collaboration between orlando voorn and juan atkins, italian label out-er (out electronic recordings) welcomes long standing detroit producer terrence dixon for a 21 track triple vinyl pack ‘12.000 miles of twilight’, out in july 2017. this is dixon’s fifth album and follows his last ‘badge of honor’ released back in 2013. the legend has been putting out material since the mid -nineties. recognized worldwide for his visionary, futuristic sound, dixon unites ages of inspiration traversing diverse musical styles including electro, jazz and minimal sci-fi techno. this overall hypnotic approach can also be seen in his parallel project population one, which appeared on out-er respectively in early 2016 with two-tracker solo ‘temporary insanity ep’, as well as in late 2016 with ‘temporary insanity remixes’ which saw the label offering reinterpretations from cosmin trg, pangaea, voiski and label co-founder simone gatto. ‘12.000 miles of twilight’ remains an experimental techno asset offering a non-linear, emotionally absorbing journey into the singular experimental edge of the detroit artist, pulling the listener in all kind of directions from the opening track to the closing finale.

on his debut full-length album as marker, new orleans artist mike wilkinson eschews traditional pop catharsis for total submersion into a blue, luminous tunnel. guitar, bass, and wilkinson s voice are all treated through a variety of outboard and software effects, gently blurring into one another. written and recorded between 2012 and 2015, the songs distill themes of isolation and connection, unreliable memory, identity, and the problem of infinite introspection and its relationship with reality. filled with surprise melodic turns and evocative, vaporous production, -marker- is an immersive work of otherworldly pop, encouraging its listeners to retreat inside themselves.

medical records continues it s fascination with all things mark van hoen this time presenting the sole album release by autocreation entitled mettle . autocreation was formed in 1992 when mark van hoen was roomates in west london with the other members kevin hector and tara patterson. kevin and tara as dj s at the university of london, tara had recorded with the hafler trio prior to this the 3 lived in an apartment block that was full of acid house devotees, djs, and house producers. the 3 friends spent a lot of time in cutting-edge london clubs which inspired and influenced their music. a remix they worked on - seefeel s -plainsong- became the blueprint the autocreation sound, as well as feeding back into seefeel s sound on their own subsequent material. autocreation were heavily influcenced by contemporary dub techno such as basic channel, mika vanio as well as more pure techno such as kirk degiorgio and jeff mills. they recorded the album in late 1993, sandwiched between the recording of van hoen s locust album weathered well and his collaboration with seefeel s darren seymour aurobindo:involution . the album notably features heavy use of modular synthesizers (aries 300, digisound 80 and others), quite unique for a techno record of the time. the album was released on the orb s label inter-modo on cd only - directly following the orb s collaboration with robert fripp (ffwd). artwork was designed by the designers republic - responsible for the vast majority of warp records catalog and various releases by the orb. the album is a dark, brooding ambient techno masterpiece. similar in vein to locust s weathered well but more techno/idm genre compliant that made it at times dance floor compatible. for this special edition (first time on vinyl), the album is expanded to a double lp featuring bonus tracks. the jacket is a gatefold featuring a montage of photos in the gatefold. specially remastered by mark van hoen. presented on limited edition high quality double 160-gram classic black vinyl. for fans of early locust, dark ambient techno, and early 90s dance floor friendly idm.

ltd nice price summer deal , berlin & schwerin based nu-breeds-de-jour goldwill cook up a rather special release as dessous teeters ever closer to its 100th release! >discooker< comprises of 3 original tracks on the vinyl. sauntering off into the night, >nachtzug< delivers a tripped out, jazzy jam that skips between off killer house and laid back disco editstations… a freaky warbling synth tone becomes the main destination as skipping beats and warm, coal-fired beats pump throughout. title track >discooker< is a true testiment to goldwills skills in audio-culinary. splicing micro samples, elastic beats and beautiful synth work, this groovy late night journey track deserves 3 michelin stars. >sketches< is a more tripped out jam featuring fantastic vocal manipulations, deeper-thandeep synth hypnosis and some clever timing which reminds of some acid drenched french filter-funk action! needless to say its a killer for the late, late hours.

panic! at the disco präsentieren 2017 ein reissue ihres debütalbums »a fever you can’t sweat out«, und zwar auf vinyl.
das album erschien ursprünglich bereits am 27. september 2005, und zwar beim label decaydance records von fallout-boy-gründer pete wentz. dieser hatte zuvor demos der band gehört und nahm sie unter vertrag, noch bevor sie jemals live performt hatte.
aufgenommen wurden die 13 songs von »a fever you can’t sweat out« in den somd! studios in college park, maryland. für die produktion zeichnete matt squire (good charlotte, the used, taking back sunday) verantwortlich.
das album wurde ein kommerzieller erfolg. die zweite singleauskopplung »i write sins not tragedies« schaffte es in den usa bis in die top 10 der charts.